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Exhibitions Summer 2010

Past and Future Exhibitions

 

Toward a New Art:
Pictorialist Photographs from the Permanent Collection
July 31–October 10

At the end of the nineteenth century, Alfred Stieglitz changed the way artists approached the photographic process, pushing them and himself to create works that would place photography among the fine arts, beyond its traditional role as a mere recorder of events. This exhibition explores the work of Stieglitz, his friends and colleagues, and the next generation of photographers who were inspired by them.

 

 

Gertrude Stanton Käsebier
American, 1852–1934
The Picture Book (Woman in a Long Dress Under a Tree), 1907
Platinum print
Bequest of William P. Chapman, Jr., Class of 1895

 

 

Monumental: Contemporary Figurative Sculpture
July 24–September 12

Two life-size figurative sculptures by Dutch artist Folkert de Jong and American sculptor Will Ryman that were recently donated to the Museum show that the figure is alive and well in contemporary sculpture, addressing a wide variety of topical issues.

 

 

Folkert de Jong
Dutch, born 1972
Pick Nick, 2005
Styrofoam, polyurethane foam, and pigment

Gift of Martin Z. Margulies, Miami, FL
Photo courtesy of the Margulies Collection at the Warehouse

 

 

 

Sublime Form:
European Decorative Design 1900–1920
May 29–October 3

At the beginning of the last century, many artists trained as painters, sculptors, and architects recognized the need for good design in the decorative arts and began to create works that could be used and lived with. This exhibition will highlight the work of the Wiener Werkstätte from a private collection, alongside works from the Museum’s collection.

 

 

Peter Behrens
German, 1868–1940
Electric teapot, ca. 1909
Nickel-plated brass

Gift of Isabel and William Berley,
Classes of 1947 and 1945

 

 

 

American Quilts from the Terasaki Collection
June 26–August 1

The quilts in this exhibition are highlights from the impressive collection of Etsuko Terasaki, featuring pieced quilts made in America in the nineteenth and early twentieth centuries. The best American quilts embody a highly personal engagement with design and color, and the works in this exhibition are of this ilk. Sophisticated in design and uniquely expressive, they remind us of the timeless human impulse to create order and beauty in our surroundings, with whatever resources available, for utility and for pure visual pleasure.

 

Unidentified artist
American, late 19th or early 20th century
Crazy quilt, Baby Block pattern
Satin, silk, velvet, corduroy, beads, and paint
Pieced, embroidered, appliquéd, hand-painted;
unquilted, 65 x 60 in.
Collection of Etsuko Terasaki

 

 

 


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